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Support Alarm Will Sound


Push Music. Alarm Will Sound.

Alarm Will Sound is a community of individuals who joined together around art that we believe in, to explore new music and to push our society’s ideas about what contemporary performing arts can be. The community that started in the band has grown to include you, and so many other fans who believe in the value of music created in today’s world. Since the U.S. political campaign and election, many in our community feel isolated and adrift, so we’d like to remind you of the power and beauty of joining together in a community to support and engage in art that you believe in.

It is in this spirit that we invite you to join us as a supporter of our 2016/17 Season.

Your tax-deductible donation will help us push ourselves to create ever more boundary-breaking, thought-provoking, and innovative new-music experiences that engage our society.

A lot has changed recently. What hasn’t changed is the power of music and of live performance to create a shared experience unlike any other, to unite us in a common objective — to be in the Now together. We are as committed as ever to bringing new music to you, to sharing the incomparable experience of seeing Alarm Will Sound perform, to challenging the expected, and to expanding the boundaries of what new music can be.

Say yes to new.

Say yes to now.

Say yes to joining us as we push music forward.

Join us on Kickstarter to support Alarm Will Sound.

Features

Alarm Will Sound presents Modernists


Terror is often the first response to unfamiliarity, and some of the boldest forays into the unfamiliar have launched under the banner of Modernism. Listening to new sounds can be akin to watching a horror movie—with ears covered rather than eyes—but given time, what was once disturbing can become intriguing.

Alarm Will Sound ventures into the outer reaches of propriety on Modernists. The album is bookended by tributes to two masterworks of modern recorded sound that have been arranged for the ensemble: “Revolution 9” by The Beatles (arranged by Matt Marks) and “Poème électronique” by Edgard Varèse (arranged by Evan Hause). Each piece is strange and otherworldly in its own way, with a provocative history of upsetting as many, if not more, listeners than they have won over.

The 23-piece band led by Alan Pierson, AWS Artistic Director, also performs work written for the ensemble by Wolfgang Rihm, Charles Wuorinen, AWS pianist John Orfe, and Augusta Read Thomas (whose “Final Soliloquy of the Interior Paramour” features vocal performances by Kirsten Sollek and Caleb Burhans).

As the Denver Post has noted, “Alarm Will Sound has grabbed the future of classical music and made it now—merging styles, erasing boundaries, championing experimentation and obviously having fun along the way.” This joyful and adventurous spirit fuels the beating heart of the Modernists album.

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Featured Recording

Ryan Chase’s Flea Circus

This is our world premiere performance at the Mizzou International Composers Festival in 2013.

Soundcloud logoVisit our Soundcloud for more recordings.

Member Spotlight

Caleb Burhans

Caleb Burhans

Caleb almost went to Indiana University for college but he decided on Eastman partly because he didn’t like that IU had the highest-paid basketball coach in the country. His life could have turned out pretty differently if Bobby Knight made a little less money back in the late 90s. But Eastman it was.

As a 17-year old, Caleb had a thing for Ligeti’s music so he emailed Alan before he got to Eastman to ask for an audition with Ossia to play on their Ligeti concert. He was late to the first rehearsal because he was getting his nose pierced, but he soon became a regular. Just before graduating, he terrified his conservative grandmother by telling her he wanted to move to NYC to live paycheck to paycheck as a freelance musician. Now he’s doing exactly that (although maybe not living quite paycheck to paycheck) as a freelance violinist, violist, countertenor, composer, and improviser.

Caleb started singing in a boys’ choir at age 9 then quickly picked up several instruments. At 10, he wrote his first piano piece in C major. The only early composition he’ll live up to now is a piece for 2 violins that he wrote on his first day back to school as a high school sophomore called What a Shame. It was quite a shame that summer was over.

Be alarmist

Read articles by our members, get behind-the-scenes reports about our projects, and share your thoughts at Alarmists, our blog.