News & Events

Alarm System

Alarm Will Sound launches Alarm System, a program to expand the circle of musical artists from a variety of backgrounds creating great music for the ensemble. In the first year of the program, Alarm Will Sound is collaborating with Medeski Martin and Wood, Valgeir Sigurđson, and Adult Fur. These artists represent diverse musical styles and creative methods, ranging from experimental jazz to electronica, studio production to funk jams, and algorithmic composition to open improvisation. Chris Thompson, a performer­/composer in Alarm Will Sound says, “It's exciting to imagine what these artists will create for Alarm Will Sound without the restriction that their work start its life as a traditional printed score and parts. Instead, the first step will be bringing the ensemble to the artist’s music-making method, whatever that may be.” The works from this season's collaborations will be premiered in Colorado in February and St Louis in May.

Lead support for Alarm System is provided through The Andrew W. Mellon Foundation, with additional support from the Sinquefield Charitable Foundation and Paul R. Judy Center for Applied Research.

The Mizzou International Composers Festival

Join Alarm Will Sound in Columbia, MO for the sixth annual Mizzou International Composers Festival. This year's festival features Hans Abrahamsen and Andrew Norman as guest composers and eight resident composers from around the world selected from more than two hundred applicants. On July 23 Alarm Will Sound will present performances of music by the guest composers as well as a new Chamber Concerto by Carl Schimmel and Stefan Freund's St. Louis Reds. On Saturday, July 25, Alarm Will Sound will present a concert of eight world premieres written by the festival's resident composers.


Our Newest Album: Radio Rewrite

Radio Rewrite artwork

From the Nonesuch Records website:

Nonesuch releases Pulitzer Prize–winning composer Steve Reich’s album Radio Rewrite on September 30, 2014 (in the UK, October 6). Co-commissioned for and recorded by Alarm Will Sound, the title piece references two songs by the English band Radiohead. Alan Pierson conducts this premiere recording of Radio Rewrite, which was composed in 2012. The album also includes recordings of Electric Counterpoint (1987) and Piano Counterpoint, which is a 2011 transcription by Vincent Corver of Reich’s 1973 Six Pianos; the works are performed, respectively, by Radiohead’s guitarist, Jonny Greenwood, and pianist Vicky Chow, who is a member of the Bang on a Can All-Stars. Radio Rewrite is available to pre-order now in the Nonesuch Store.

Reich says of his new piece: “Over the years composers have used pre-existing music (folk or classical) as material for new pieces of their own. Radio Rewrite, along with Proverb (Perotin) and Finishing the Hat—Two Pianos (Sondheim), is my modest contribution to this genre.” He continues, “Now, in the early 21st century, we live in an age of remixes where musicians take audio samples of other music and remix them into audio of their own. Being a composer who works with musical notation I chose to reference two songs from the rock group Radiohead for an ensemble of musicians playing non-rock instruments: ‘Everything in Its Right Place’ and ‘Jigsaw Falling into Place.’”

Reich and Greenwood met in Krakow in 2010 during a festival of Reich’s music, where Greenwood gave a performance of Electric Counterpoint that its composer liked very much. (Greenwood has since performed it many more times, including during a London tribute to Nonesuch’s 50th anniversary at the Barbican Centre.) Reich says, “When I returned home I made it a point to go online and listen to Radiohead’s music and the two songs mentioned above stuck in my head. It was not my intention to make anything like ‘variations’ on these songs, but rather to draw on their harmonies and sometimes melodic fragments and work them into my own piece. As to actually hearing the original songs, the truth is—sometimes you hear them and sometimes you don’t.”

Electric Counterpoint was commissioned by BAM for guitarist Pat Metheny. It is the third in a series of pieces (first Vermont Counterpoint in 1982 for flutist Ransom Wilson followed by New York Counterpoint in 1985 for clarinetist Richard Stolzman) with a soloist playing against a pre-recorded tape of themselves. In Electric Counterpoint the soloist pre-records as many as ten guitars and two electric bass parts and then plays the final eleventh guitar part live against the tape.

Reich says Piano Counterpoint “is an arrangement of Six Pianos in which four of the six piano parts are pre-recorded and the last two are combined into a more virtuosic single part played live. For these last two parts to be played by a single pianist it was necessary to move some of the melodic patterns up an octave giving the piece an increased sparkle and intensity. The amplification of the live player along with the pre-recorded playback adds additional electricity. Combined with the practicality of needing only a solo pianist, this arrangement can be heard as improving on the original.”

Highlights from our 2014-2015 Season

Alarm Will Sound is excited to announce just some of the highlights from its upcoming 2014-2015 season!

Two nights of "Nonesuch Records at BAM." In celebration of 50 years of Nonesuch Records's commitment to outstanding, unique artists, AWS will perform an evening of the music of Steve Reich including Radio Rewrite and an evening of the music of John Adams including his seminal Chamber Symphony.

St. Louis Season. For the third year, Alarm Will Sound will present multiple exciting and adventurous concerts in St. Louis including a performance to celebrate the 250th anniversary of the city, the concert world premiere of The Hunger by Donnacha Dennehy, and another collaboration with the students and faculty at the Community Music School of Webster University.

Sacrum+Profanum in Krakow, Poland. Alarm Will Sound will return to Krakow to present a concert of the music of Steve Reich at this incredible festival.

Medeski, Martin and Wood with Alarm Will Sound in Colorado. AWS and MMW will present an evening of daring collaboration and thrilling improvisation in Denver and Boulder.

World premiere of Mind Out Of Matter by Scott Johnson at Peak Performances at Montclair State University. This is a major new evening-length work pairing the sampled voice of philosopher and Darwinian Daniel Dennett with Scott Johnson's music.

If you are moved by adventurous new sounds please take a second to donate to help us continue our mission to play music for the contemporary world.

These are just a few of the exciting projects to look for next season. Keep and eye and ear out for even more!

Music of Derek Bermel

Bermel artwork

We have been playing the music of Derek Bermel for several years, returning to it time and again because its eclectic influences are rich and varied. Canzonas Americanas, released on Cantaloupe Music, brings the stylistic variety of his work together in one album, capturing the many musical traditions of North and South America that are part of Derek's—and our—world.

“Derek Bermel synthesizes the diverse musical languages of his time into a unique, thoroughly individual American voice that is tuneful and rich, engaging and sophisticated,” says Alan Pierson, our Artistic Director. “Canzonas Americanas establishes Derek as a composer firmly in an American tradition like Copland, Ives, Gershwin, and Ellington before him.”

We are joined by the remarkable Luciana Souza whose voice evokes a Latin dreamscape in the last movement of the title track. Timothy Jones performs the song collection Natural Selection with theatricality. And Kiera Duffy adds her soprano to the arresting At the End of the World.

Contribute to our Annual Fund

Help us make more new music!

When Alarm Will Sound started playing together way back in 2001, the classical music world looked a lot different than it does today. News then was all about how orchestras were failing and how classical music was no longer relevant to today’s world. Now fourteen seasons later, we are thankful to see an increasingly vital and active new music community springing up all across the country. The audience has spoken, and they demand new music created and performed by the musicians of our time!

We’d like to think that we had something to do with that—and we know that our audience certainly did! We are asking for your help to continue building the community of new music. Your donation will help us bring our unique brand of high energy performances to audiences around the world.

Your support also helps Alarm Will Sound to develop new initiatives that engage new audiences. For example, this year we will launch Alarm System which fosters long-term musical collaborations between our musicians and artists from other traditions like jazz and electronic music, and Music Today which enables ongoing mentoring relationships with pre-college music students at the Community Music School in St. Louis.

We would like to show our appreciation for your gift of $150 or more by sharing with you our latest recording, Steve Reich's Radio Rewrite. With you gift $60 or more we will send you your choice of an Alarm Will Sound T-Shirt. Your tax-deductible donation will go to work immediately to support Alarm Will Sound’s many musical and educational activities.

Thank you for being a fan, attending our shows, and supporting the new music community through your contribution. We look forward to seeing you again soon!

Featured Recording

Amy Beth Kirsten’s Drink Me

This is our world premiere performance at the Mizzou International Composers Festival in 2010.

Soundcloud logoVisit our Soundcloud for more recordings.

Member Spotlight

Courtney Orlando

Courtney Orlando

She would have played the cello if she’d had a choice, but her parents loved the violin and put one in her hands before she knew the difference. Courtney grew up in Kutztown, PA and wanted to be a veterinarian. But music took over early in high school and Courtney decided to go to Temple University. Sometimes music school isn’t always all it’s cracked up to be, though, and for Courtney, she says she became “un-enamored (is that a word?)” playing the same music over and over while trying to perfect excerpts for orchestral auditions. She tried music theory and pedagogy while at Eastman for her masters degree but went back to the violin for a DMA after getting swept up by the Ossia new-music crowd—maybe being a musician didn’t mean having to play in orchestra after all.

Courtney now lives in Brooklyn and freelances in the city while teaching ear-training for half of every week at Peabody in Baltimore. She never got away from her veterinarian dreams and volunteers at the SPCA walking and taking care of dogs.

Be alarmist

Read articles by our members, get behind-the-scenes reports about our projects, and share your thoughts at Alarmists, our blog.